A space ship to travel a distant planet colony and bring thousands of people is a malfunction in their sleep dreams. As a result, the two passengers rose 90 years earlier.
Cute-meeting between Jennifer Lawrence and Chris Pratt among the passengers is not so sweet; Regarding the ethical and unordered issues of life and death issues. As a future world in the world en route to another planet, is assumed to be in a state of suspended animation, not waking up and running and in love. But things happen when you are in a science fiction adventure.
There is initially an exciting scene on the stage of Jon Spaihts, who invented a kind of Titanic in the room, with pieces of “Sleeping Beauty” and gravity in the mix of high concept. In a less brilliant guide through the numbers, the story could have shot, or at least be more movement. However, while the passengers are beating some sharp observations about our increasingly technically active life, corporatised, its strong mix of requirements of life and death and bromide feel good, finally, it feels like a case of more less. Whatever the critical consensus, however, the Festzelt is sure to attract youngsters looking for action and adventure adults.
As demonstrated in his debut in English imitation game, the Norwegian director Morten Tyldum knows how to achieve the necessary emotional scores, but subtlety is not his strength. Even with a striking visual design and digital effects without any problems, it strives to produce a widespread sense of wonder – and danger – from the depths of space, despite the insistent score of Thomas Newman.
Among the dilemmas of the most frightening passengers might be: “What if you were trapped on a cruise for the rest of your life” In this case, is the ship the Avalon is, a plane luxury? Highly automated interstellar transit 5,000 paying passengers and 200 crewmembers, designed to keep all trapped in equipment to keep them fresh and healthy and uninhabited for the journey 120 years from the earth. At the other end of the journey is a new beginning in Homestead II, the antidote to the Earth “overpopulation, overvalued and exaggerated” as the role marketing company profitable mega project described.
For a passenger, mechanical engineer Jim Preston, this new beginning has found a sense lacking on the planet. Jim is a kind of guys from the old school, the kind who believes with hands in building things – obviously a skill that is no longer asked where it comes from. After a murder caused by a malfunction, Jim frees from the vagina overwintering 90 years before he walks around the coronet Avalon – elegantly designed by Guy Hendrix Dyas – and searching for answers, without success, chirpy holograms voice disembodied. This is the equivalent in three dimensions to try to reach a person in customer service telephone line.
But the situation Jim is far more horrible than on the phone sheet; Unless you find a way back to his deep sleep, Jim spent the rest of his life alone and dies before reaching the promised land. When he finally found a way to send a message to the company’s headquarters, it is ensured that in about half a century expect a response.
So what is lost in the room do, but take advantage of the dining room, a game room and a VIP area of man? He was regularly at the bar glittering gemstones where the android waiter Arthur (Michael Sheen) distributed robotic words of understanding and encouragement with a touch of human sympathy if they did not understand. If a second passenger is early and therefore, Jim has become a drunk bum who is considering suicide. But instead of ending his life, he decided to end his loneliness.
The other passenger is a writer wakes Aurora Lane (Lawrence), Jim first noticed as a Sleeping Beauty in the vagina transparent hibernation. Here the scenario includes a problem for these times to be hot – Can you really fall in love with someone based on their online profile? This is what Jim claimed to have done while Aurora was still in suspended animation. After all, they are awake to rescue their possibilities exhausted, put aside the pressing direction of mortality and engage in a suitable court in the well-equipped facilities.
It is a gold-class passenger – which means much better breakfast, start – and her goal is to write to New York on a round trip back to the first book on Homestead II. The pairing of the children of the working class and the creative class personality of public life explains what was felt and motivating factors that led to such an extraordinary leap into the unknown to Jim and Aurora. Although they are clearly called robust and durable, no sense of urgency or training are called, especially not in the same level Pratt, Mr. Fix-It. The fire is necessary, absent from their chemical composition, to discover the anger of Aurora crucial information that Jim held.
But both paths lead to a convincing traitor in Avalon on spacewalks, while various ship systems fail. They are also played by Laurence Fishburne for a short time by a crew member – a vivid reminder that even the best technology in the world has to offer, sometimes only a person can provide the necessary information. (Appears, is still a word without Andy Garcia).
Before the emergency was built with a hectic overload, ineffective factoids and skill, Tyldum provides phases of a piece of first class piece work as f / x. The sequence, driven by convincing and dynamic Lawrence by DP Rodrigo Prieto, means a failure of the gravity of the ship and its effect on the pool where Aurora toured in an elegant mesh swimsuit (Jany Temime elegant suits a man who dressed best Woman in space to do).
In view of the problems of imaginative and provocative material to the mortality configuration – not to mention the future of mankind – the lessons learned from the hardened film about the nature of happiness and a life well-lived too easy, too obvious. Ask yourself if the work Aurora wanted to write at all a book of self-help.
‘Passengers‘ Movie Columbia Pictures Description :
Directed : Morten Tyldum
Produced : Neal H. Moritz, Stephen Hamel, Michael Maher, Ori Marmur
Written : Jon Spaihts
Cast : Jennifer Lawrence, Chris Pratt, Michael Sheen, Laurence Fishburne, Andy García
Music : Thomas Newman
Cinematography : Rodrigo Prieto
Edited : Maryann Brandon
Production companies : LStar Capital, Village Roadshow Pictures, Wanda Pictures, Original Film, Company Films, Start Motion Pictures
Distributed : Columbia Pictures